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Yard Theatre

  • Theatre
  • Hackney Wick
  • Recommended
The Yard Theatre
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Time Out says

Make for this Hackney warehouse to find vivid, genuinely forward-looking experimental shows

Buried away in the hinterland of warehouses that lie between Hackney proper and the Olympic Park, Hackney Wick's The Yard is a real diamond in the rough. A profit-sharing 130-seat venue made from recycled materials, it's a beacon of exciting, progressive new work in theatre-poor east London and a real model for what a fringe theatre can and should be in the twenty-first century. 

Artistic director Jay Miller has presided over an impressive array of hits since he founded The Yard in 2011, by cracking open the door to an abandoned warehouse and transforming its innards into a high-ceilinged, concrete-floored performance space. 'This Beautiful New Future' and 'Buggy Baby' both attracted strong reviews, as did RashDash's take on 'Three Sisters'. What they all share is striking, bright lighting and design, an approach that sits in between new writing and live art, and a pulsing soundtrack. 

The Yard attracts a much younger (and cooler) crowd than your average theatre, as reinforced by its free workshops for teenagers, and cheap tickets for under 25s, and contribution to Hackney's nightlife. It holds regular club nights and live music events, which pack out the venue's rough-and-ready bar and dancefloor. And before and after shows, theatregoers peruse a bar menu that veers from tinnies of beer to swish cocktails, or hit up a food menu that's presided over by an ever-changing line-up of guest chefs, but tends to feature small plates and vegan-friendly junk food.

Details

Address:
Unit 2A
Queens Yard
London
E9 5EN
Transport:
Tube: Hackney Wick
Price:
Prices vary
Opening hours:
Bar is open: Thurs-Fri 6:00-11:00pm; Sat 1:00pm-midnight; Sun 1:00pm-9:00pm
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What’s on

Multiple Casualty Incident

  • 4 out of 5 stars
  • Drama

British playwright Sami Ibrahim’s 2022 play ‘two Palestinians go dogging’, was a divisive one. Some praised the experimental dark comedy, set in Palestine in the year 2043. Others didn’t really know what was going on. But critics echoed that, no matter what, this unrelenting show stayed with you. Ibrahim’s follow-up, ‘Multiple Casualty Incident’, is just as unforgettable. In Jaz Woodcock-Stewart’s production, we’re thrown in with a group of employees at a medical aid charity who are in the second week of training before entering an area destroyed by war. Palestine isn’t mentioned by name, but after six months of stories from Gaza, it’s hard not to think of it. On stage: four figures, in what appears to be an unused office. It’s a matter of weeks until they fly across the world, and they need to be prepared. ‘We’re not political, but we do have a duty of care,’ group leader Nicki (Mariah Louca) warns. So they role play, assigning themselves as medical professionals and ‘primary actors’. Morals are easy to have in a philosophical debate, but how would they actually behave in these real-life real-life trolley problems? It might not sound like a laugh a minute, but there’s a lot of levity in Ibrahim’s script. The characters giggle in the room too, then unconvincingly caveat: ‘Sorry, that’s bad’. Among the trainees, the two doctors rub each other the wrong way. Sarah (Rosa Robson) is forthright and snarky, prone to the exact kind of ‘Guardian moral bollocks’ that Dan (Peter Corboy

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